Guides · Dinnerware glossary

Types of plates — every kind, its size and what it is for

Charger to saucer, rimmed to coupe, porcelain to slate: the whole dinnerware vocabulary defined and sized, with the etiquette, the food safety and the research on how the plate itself changes what you taste.

The photos on this page are AI-generated illustrations.

A place setting uses six plates, and they nest by size: the charger (11–14 in / 28–36 cm) that nobody eats from, the dinner plate (about 10.5 in / 27 cm), the luncheon plate (9 in / 23 cm), the salad or dessert plate (7–8.5 in / 18–22 cm), the side or bread-and-butter plate (5–7 in / 13–18 cm) and the saucer (about 6 in / 15 cm). The soup plate joins them as a wide rimmed shallow bowl of 9–10 in.

Everything else is a variation on three questions. What shape is it, rimmed or coupe, round or square, flat or deep? What is it made of, and does that survive your oven and your dishwasher? And what does the plate do to the food once the food is on it? This guide answers all three, then works through the bake-and-serve dishes, the serving pieces and the plates of Japan, India and Korea. Every size is given US-first with the metric twin, because plate naming diverges between markets and the centimetres are the honest part.

A flat-lay of many kinds of empty plates on cream linen: a large wide-rimmed dinner plate, a salad plate, a bread plate, a rimless coupe, two square plates, a small oval platter, a rimmed soup plate, a deep pasta bowl, a ramekin, a speckled oatmeal stoneware plate, a matte black plate and a round dark slate
One table, a dozen answers. Diameter, profile, depth and material are four independent choices, which is why a cupboard ends up holding this many shapes.
Start with the vocabulary

The parts of a plate

Five words cover every plate ever made, and two of them do most of the work: the well is where food goes, the rim is the frame around it.

Well

Also: centre, mirror, bassin.

The flat central floor of a plate, inside the rim: the surface food actually sits on and the number that matters more than the plate's diameter.

Rim

Also: lip, marli.

The flat raised border framing the well. Trade catalogues from Steelite, Churchill, Bauscher and Denby all call it the rim; collectors say lip, and French ceramics say marli.

Cavetto

Also: bouge, the slope.

The sloping wall that joins the rim to the well. Pewterers called it the bouge and hammered it to strengthen the metal; on a soup plate it deepens until rim and well read as one bowl.

Foot ring

Also: foot.

The ring the plate stands on, left unglazed on cheaper ware because it rests on the kiln shelf. Premium hotelware is fired on pins so even the foot can be glazed, which slows glaze wear in a stack.

Base

The underside inside the foot ring, where the backstamp, the pattern name and any oven, microwave or dishwasher rating are printed.

Why the well matters more than the diameter. Two plates with identical outside measurements can look completely different depending on how the maker split that width between rim and well. A restaurant moving from a 10.5 in plate to a 12 in plate frequently keeps the same well and buys nothing but a wider frame, which is exactly the point: the frame is the product. When you buy, measure the well.

The ladder

Plate sizes, drawn to scale

The standard plates drawn to scale as nested circles, from the charger at the outside down to the saucer in the middle, each labelled with its diameter in inches and centimetresCharger13 in · 33 cmDinner10.5 in · 27 cmLuncheon9 in · 23 cmSalad8 in · 20 cmBread plate6.75 in · 17 cmSaucer6 in · 15 cmdrawn to scale
The standard ladder. Each step down is roughly an inch and a half, which is what makes a stacked setting read as deliberate rather than accidental.
Plain white porcelain plates nested concentrically on cream linen, each centred on the next larger one so every rim shows as a ring, from a large charger at the bottom up to a saucer on top
The same ladder in porcelain. Charger, dinner, salad, bread, saucer. Stacked like this, each plate leaves a visible ring of the one below, which is the whole visual argument for a charger.
PlateDiameterWhat it holds
Charger11–14 in / 28–36 cmNothing. It holds other plates
Dinner10–12 in / 25–30 cmThe main course
Luncheon8.5–9.5 in / 21.5–24 cmA lighter main, a sandwich, brunch
Soup plate9–10 in / 23–25 cmSoup, pasta, anything with a sauce to hold
Salad / dessert7–8.5 in / 18–22 cmA starter, a salad course, the sweet
Side / bread5–7 in / 13–18 cmBread, butter, olives, stones and shells
Saucer4.5–6.5 in / 11–16 cmA cup, or a very small anything
Appetiser4–7 in / 10–18 cmOne or two bites, an amuse-bouche

Names travel badly, so trust the centimetres. An Australian "entrée plate" is a 23 cm starter plate; an American "entrée plate" is an 8.5 in course plate; US commercial ranges skip course names altogether and sell you a "narrow rim plate, 9¼ in". A UK side plate and a US bread-and-butter plate are broadly the same object, except where a British maker also lists a larger bread-and-butter plate, reversing the logic entirely.

The glossary

The place-setting plates, defined

Each card: the one-sentence definition, the size as it is actually sold, and what the plate is for.

A brushed-gold charger plate with a plain white rimmed plate centred on it, a wide ring of gold showing all the way round, holding a small salad of dressed leaves, frisée and thin slices of pink radish

Charger

Also: service plate, show plate, presentation plate, underplate, place plate, cover plate.

The oversized plate laid before guests sit down, used as an underplate for the courses that arrive on their own plates and taken away before the main course.

Size: 11–14 in / 28–36 cm, most often 13 in / 33 cm.

A charger is the one plate on the table you are not supposed to eat from. Emily Post describes it as the underplate for the plate holding the first course, staying put through the courses that precede the entrée and being exchanged for the entrée plate when that arrives.4 Catering practice often differs: banquet crews commonly clear the charger with the dinner plate on top after the main course, which is why you will find both rules stated confidently online.

Do not serve food directly on one. Decorative chargers in beaded metal, glass, acrylic, rattan or painted wood are frequently not made from food-safe materials, and a charger sold as decor is not tested the way a dinner plate is. If it is plain glazed porcelain from a dinnerware line, it is a plate and you can use it as one.

The word is older than the object's current job. It comes through Middle English chargeour from Latin carricare, to load, and originally meant a large platter that carried a whole roast to the table.

A roast chicken breast with crushed new potatoes, a bundle of green beans and a pool of pan jus on a plain white rimmed dinner plate, the rim left clean

Dinner plate

Also: full plate, meat plate, joint plate.

The main-course plate and the hub of any place setting, standardised for a century at about 10.5 inches or 27 centimetres.

Size: 10–12 in / 25–30 cm; 10.5 in / 27 cm is the usual standard.

Sources disagree at the edges. Etiquette references say 10–11 in; Wedgwood lists 26–28 cm; Portmeirion calls 25 cm standard and goes to 30 cm; the UK catering supplier Nisbets says the trade standard has always been 10.5 in, with restaurants now often choosing 11 or 12 in plates that carry wider rims around the same well, so the eating surface has not actually grown.

Practical ceiling: 11 in is roughly where domestic dishwasher racks and cupboards start to complain, and a 12 in plate needs a table wide enough to keep the flatware on it.

A toasted club sandwich cut into two triangles, each held with a cocktail stick, beside a small handful of dressed leaves on a plain white luncheon plate

Luncheon plate

The plate between dinner and salad size, for lighter midday meals, sandwiches and brunch; a Victorian ladies'-luncheon survivor that many modern sets have dropped.

Size: 8.5–9.5 in / 21.5–24 cm.

Useful precisely because it is unfashionable: a luncheon plate is a dinner plate for a modern portion. Corelle sells its version at 8.5 in, vintage Fiesta's was 9 in, and formal references put it at 9–9.5 in.

Dressed green leaves, cucumber ribbons, shaved Parmesan and toasted seeds on a plain white salad plate with a low raised edge

Salad plate

The medium plate for a salad course, a starter or a dessert, usually with a slightly raised rim to keep dressed leaves from sliding off.

Size: 7–8.5 in / 18–22 cm.

In North America salad usually comes before the main; French and Italian custom, and older formal American service, put it after. If the salad is the meal, it goes on a dinner plate. The crescent plate is the same idea bent into a new moon so it tucks against the dinner plate. What goes on it, and how, is in how to plate salad.

A crusty bread roll and a curl of butter on a small white side plate, a butter knife laid across its top edge

Side plate

Also: bread-and-butter plate, B&B plate, quarter plate, tea plate.

The small plate set above and to the left of the forks for bread and butter, olives or anything you want off the main plate.

Size: 5–7 in / 13–18 cm.

US and UK naming diverge here. In the US the bread-and-butter plate is the small one, 5–7 in. In the UK the side plate is 6–7 in but Wedgwood also lists a separate, larger bread-and-butter plate at 20–29 cm. When buying across markets, trust the centimetres, not the name.

A slice of sponge cake layered with cream and raspberries, topped with raspberries and a mint leaf, on a white dessert plate with a painted border of small pink roses, a dessert fork resting beside it

Dessert plate

Also: sweet plate, half plate, cake plate.

The plate for the sweet course, often decorated more heavily than the rest of a set because it is the last thing seen.

Size: 6–8.5 in / 15–22 cm in the US, 8–10 in / 20–25 cm in UK catering.

Because a crème brûlée arrives in its own shallow dish, plenty of restaurants plate rich desserts on the smaller starter size instead. Watch the ambiguity in "cake plate": it means both an individual 8 in plate and a footed pedestal stand for a whole cake.

Green pea soup with a swirl of cream and pea shoots in the deep well of a white soup plate with a broad flat rim, a spoon resting on the clean rim

Soup plate

Also: rimmed soup bowl, deep plate, assiette creuse.

A wide shallow bowl with a flat rim: the only soup vessel used in formal service, and the shape a modern pasta plate is built on.

Size: 9–10 in / 23–25 cm across, well 6–7 in, up to 1.5 in deep.

The rim is the whole point. It gives a place for thumbs, a frame for the soup and somewhere for a garnish to sit dry. Lose the rim and the same vessel is simply a soup bowl. UK catering catalogues call it a deep plate; the French assiette creuse carries a legend that Cardinal Mazarin brought it from Italy in 1653.

A white teacup of amber tea standing on its matching white saucer, the foot of the cup seated in the saucer's central well, a teaspoon on the saucer

Saucer

The small dished plate whose well is sized to grip the foot of its cup so the cup does not slide when carried.

Size: 4.5–6.5 in / 11–16 cm.

A tea saucer runs about 6 in, a demitasse saucer about 4.5 in. Loose saucers make excellent miniature side plates for olive stones, tea bags and spoon rests.

A single small round of tuna tartare topped with a dot of avocado cream and a herb leaf on a small white appetiser plate, a cocktail fork on the linen beside it

Appetiser plate

Also: tasting plate, small plate, amuse-bouche plate.

The smallest serving plate in commercial ranges, used for one or two bites, an amuse-bouche, or as an auxiliary plate for shells and bones.

Size: 4–7 in / 10–18 cm.

An empty white porcelain fish plate with a thin gold edge and a hand-painted trout among reeds in the centre of the well

Fish plate

A medium plate, historically sold outside a dinner service and decorated with a painted fish, from the 1880s vogue for matched fish services.

Size: 8–9 in / 20–23 cm.

A crescent-shaped white bone dish holding fish bones and a squeezed lemon half, set on the linen and curved against the outside edge of a dinner plate with a grilled trout fillet and a charred lemon half

Bone dish

Also: crescent plate.

A crescent-shaped dish that nests against a round plate, made to receive fish and poultry bones in Victorian service and out of fashion by the 1920s.

Size: About 6 in / 15 cm on the long axis.

The plate people ask about most

Where the charger sits, and when it leaves

A formal place setting seen from above: a charger plate with the dinner plate centred on it, the bread plate and butter knife at the top left, salad and dinner forks on the left, the dinner knife and soup spoon on the right, dessert spoon and fork above the plate, and the water and wine glasses at the top rightDinner plateon the chargerchargerBread plate+ butter knifeForkssalad, then dinnerKnife, spoonblade facing indessert spoon and forkwaterredwhiteGlassesformal setting, seen from the diner's seat
The formal setting. Charger under the dinner plate, bread plate above the forks on the left, cutlery worked from the outside in, dessert cutlery above or brought with dessert, glasses to the upper right.
A formal place setting on cream linen: a brushed-gold charger plate with a plain white rimmed dinner plate on top and a folded white napkin on it, two forks to the left, a knife and spoon to the right, a small bread plate with a butter knife at the upper left and a wine glass at the upper right
In practice. The gold charger never touches food. It frames the white plate, holds the setting together visually, and is cleared when the main course arrives.

Setting a table for a particular menu? The table setting diagram maker draws the basic, informal or formal place setting for the courses you are serving, charger included, with every piece numbered.

Profiles

Shapes: rimmed, coupe and everything after

Five empty white porcelain plates on cream linen in a loose grid, each a different shape: a round plate with a wide flat rim, a round rimless coupe with gently upturned edges, a square plate with softened corners, a long rectangular plate and an oval plate
Same glaze, five silhouettes. Rim, coupe, square, rectangle, oval. The profile decides how much of the plate you are allowed to use and how formal the result reads.

Rimmed plate

Also: wide rim, broad rim.

A plate with a border clearly separated from the well. The traditional European profile, descended from metalwork; it frames the food, catches juices, and gives the server somewhere to hold.

Narrow rim

A discreet border rather than a wide flat one, so more of the same diameter is usable as a plating surface. The commercial middle ground between rim and coupe.

Coupe plate

Also: rimless.

A plate with no distinct rim, its surface flowing evenly from the centre to a gently upturned edge. Reads flatter, quieter and more modern, and makes the whole disc the canvas.

Deep coupe

A rimless plate with a genuinely bowled centre, sold under that name by Steelite and Bauscher: the shape that holds a risotto, a curry or anything with a moat of sauce.

Flat plate

Also: presentation plate.

An almost perfectly flat disc with no well at all. Dramatic for dry, composed food and useless for anything that runs.

Pasta plate

Also: deep plate, assiette creuse.

A wide rimmed plate with a shallow bowled well, typically 28–29 cm, built so a nest of pasta sits proud in the middle with the sauce held around it.

Square plate

A four-sided plate, common in Asian restaurant ranges and 2000s Western fine dining. Sharp corners chip more readily than round rims, so most commercial squares now have softened corners.

Rectangular plate

Also: oblong, naga-zara.

A long plate for sequences: three canapés, a row of sashimi, a tasting flight. It forces a left-to-right reading order that round plates do not.

Oval plate

The elongated round, traditional for fish and for any food longer than it is wide; also the practical shape for platters, since ovals store where big rounds will not.

Triangle plate

A rarer fine-dining and appetiser shape, sold in commercial ranges at 18–31 cm; the point gives a natural focal direction.

Organic plate

Also: free-form.

A round-ish plate with a deliberately uneven, hand-thrown edge. Churchill's official word for the profile; it reads handmade even when it is not.

Rim versus coupe is the decision that matters. Put the same dish on both and the rim version looks composed and restaurant-y, because the empty border reads as deliberate negative space and the food sits in a frame. The coupe version looks calmer and more modern, and it gives you more usable surface at the same diameter, which is why it suits food that spreads.

The same salmon, peas and beurre blanc in the same position, on a flat rimless white coupe plate with gently upturned edges and no rim at allA seared salmon fillet on buttered peas with a ribbon of beurre blanc, plated in the centre of a classic white porcelain plate with a wide flat rim and a shallow wellWide rimCoupe

Wide rim. The border frames the food and makes the portion read larger, which is not a metaphor: rim width measurably changes perceived portion size.20

Coupe. The same food on an unbroken disc. Quieter, more contemporary, more usable surface, and the portion now has nothing framing it.

Where plates stop

The bowl end of the family

The line between a plate and a bowl is a slope, not a border. Deepen a plate's well and keep the rim and you have a soup plate. Lose the rim and it is a soup bowl. Widen the bowl and flatten the floor and it is a pasta plate again. The names follow the depth of the well and the presence of a rim, in that order.

Four bowls in a row on cream linen: a wide white rimmed soup plate of orange pumpkin soup with a swirl of cream, a wide shallow white coupe pasta bowl with a nest of tagliatelle, a tall deep ramen bowl with broth, noodles, a halved soft egg and scallions, and a small Japanese rice bowl of plain white rice
Four depths, four jobs. Rimmed soup plate, shallow pasta bowl, deep ramen bowl, rice bowl. Depth is the variable; each step down the row holds more liquid and less surface.
VesselSizeMade for
Soup plate9–10 in / 23–25 cm, to 1.5 in deepFormal soup service; a rim to hold and to garnish on
Coupe soup6–9 in / 15–23 cmThe same thing without a rim, informal only
Pasta plate11–11.5 in / 28–29 cmA nest of pasta proud in the middle, sauce held around it
Cereal bowlAbout 7.5 in / 19 cmBreakfast, and the everyday grain bowl
Donburi15 cm, about 900 mlRice with one topping
Ramen bowl18 cm, about 1,400 mlBroth, noodles and toppings each with their own space
Rice bowl (chawan)12 cm, about 6 cm tallRoughly 150 g of steamed rice, lifted in the hand
What it is made of

Materials: nine bodies and what each one costs you

Six empty round plates in two rows of three on cream linen, one of each material: glossy bright white porcelain, warm ivory bone china with a thin gold rim line, speckled oatmeal stoneware, rustic terracotta earthenware, round dark grey natural slate, and a pale wooden board with visible grain
The same round, six bodies. Porcelain, bone china, stoneware, earthenware, slate, wood. Note how different two "whites" can be: porcelain runs cool and bright, bone china warm and creamy.
MaterialFired atAbsorbsOvenWeight, 27 cm plate
Porcelain1,200–1,400 °Cunder 0.5%Usually yes; check the base740–980 g
Bone chinaBiscuit 1,200–1,300 °C, glaze 1,050–1,100 °Cunder 0.5%Pattern-specific; never with metal trim600–710 g
Vitrified hotelwareAbout 1,200 °C with added alumina0.2–0.4%Yes, and usually freezer to oven780–980 g
Stoneware1,200–1,300 °CAbout 2%Usually yes, often to 260 °C790–850 g
EarthenwareAbout 900–1,060 °C10–15%Cazuelas and tagines yes; decorated ware, checkHeavy for its strength
Glass and glass laminateTempered by reheating to about 650–700 °C and rapid coolingZeroPreheated oven only, low temperaturesAbout 350 g
MelamineMoulded thermoset resin, not firedZeroNever. Never microwave eitherVery light
EnamelwareGlass fused to steel at 750–850 °CZeroYes, typically to 270 °C. Never microwaveLight for its toughness
Slate, wood and bambooQuarried or milled, not firedPorous unless sealedNoHeavy (slate), light (wood)

Water absorption is the number that separates the tiers. A body is "vitrified" when it has been fired until it is effectively glass, and the trade threshold sits under 0.5%.23 Everything else in the table follows from it: stain resistance, hygiene, strength, weight and price.

Porcelain

Also: hard-paste porcelain, china.

Kaolin, quartz and feldspar fired until the body turns glassy: vitrified, impervious, translucent and resonant, by the definition in ISO 5644.

The default restaurant canvas, and the reason plain white plates dominate professional kitchens. Fired hot enough that the body itself is effectively glass, so it does not absorb food, odours or bacteria, and a chip exposes more white rather than a dark clay underneath.1 Britannica notes the trade-off: hard porcelain is strong but chips fairly easily, and untreated it carries a blue or grey cast.

On the table: Bright white, slightly cool, faintly translucent.

Bone china

A porcelain containing calcined bone ash, introduced by Josiah Spode II around 1800 and still the strongest, whitest, most translucent tableware body.

Spode I invoiced "English China" in 1796 and called it Stoke China before the name bone china stuck.7 The bone ash gives a warm creamy white rather than porcelain's starker tone, and the minimum content depends on whose rule you read: at least 25% bone ash under ASTM C242, at least 30% by UK industry practice, at least 35% tricalcium orthophosphate in the fired body under ISO 5644.21

Two kitchen tests. Hold it to a light and bone china glows where porcelain without bone ash blocks the light. Tap the rim and it rings; a piece that has lost its ring has usually been thermally shocked.

On the table: Warm ivory, the most translucent, rings like a bell.

Vitrified hotelware

Also: vitrified china, alumina-reinforced porcelain.

Commercial tableware whose body is reinforced with alumina for strength and whiteness, fired to near-zero porosity and sold with an edge-chip warranty.

This is what you eat off in most restaurants and hotels. Churchill puts the contrast plainly: a vitrified plate absorbs 0.4% or less of its weight in water, against up to 15% for a non-vitrified domestic plate. Alumina adds strength and whiteness; rolled edges and fully glazed feet buy the rest of the lifespan, since chips almost always start at the rim or the foot during stacking.

On the table: Very white, heavy, thick rolled edges.

Stoneware

A dense, opaque, high-fired body that is vitrified enough to be functional but never translucent; the home of speckled, reactive and hand-thrown glazes.

Heavier in the hand and warmer in tone than porcelain, which is why restaurants increasingly use white porcelain for mains and stoneware for starters, sharing plates and desserts. Reactive glazes, which vary on purpose, are the visual payoff and the batch-consistency headache. Commercial reactive ranges are still fully vitrified and tested, so the safety questions attach to studio and import pieces rather than to the look itself.

On the table: Opaque, matte or speckled, warm and tactile.

Earthenware

Also: terracotta, faience, delftware, majolica.

Low-fired pottery that never vitrifies, so it stays porous and must be glazed to hold food at all.

The oldest and most forgiving of the bodies. Because it is porous it absorbs thermal shock far better than dense porcelain, which is why traditional cazuelas and tagines are earthenware and why a terracotta dish survives the oven. The same porosity is the weakness: crazed glaze over a porous body will wick liquid, so hand-made low-fired ware should not be left soaking.

On the table: Rustic, warm, often crazed with age.

Glass and glass laminate

Also: tempered glass, Vitrelle, opal glass.

Toughened or laminated glass tableware: Corelle's three-layer Vitrelle, Arcoroc's opal glass and Duralex's tempered glass, all non-porous and unusually light.

Light, cheap, stackable and completely non-porous. The catch is thermal shock: tempered glass is rated for a sudden change of about 130 °C, and Corelle asks for a preheated oven no hotter than 176 °C, never a stovetop, never an empty microwave and never cold liquid into a hot dish. When laminated glass does fail it can break into many small pieces, sometimes a while after the knock that damaged it.

On the table: Bright cool white or clear, very thin, very light.

Melamine

Melamine-formaldehyde resin tableware: effectively unbreakable, the standard for poolside, outdoor and high-volume service, and the one material with a hard temperature rule.

The FDA is explicit that food should not be heated on melamine in a microwave; serve on it, do not cook on it.12 Germany's BfR found melamine resin releases melamine and formaldehyde above about 70 °C and is not stable against hot acidic food, and flagged bamboo-filled melamine in particular, where a third of tested cups exceeded the formaldehyde limit.13 Within its range, FDA migration testing put real-world exposure at hundreds of times below the acceptable level.12

On the table: Matte plastic; convincing at a glance, not in the hand.

Enamelware

Also: vitreous enamel, porcelain enamel.

Powdered glass fused onto heavy-gauge steel: camp-plate durability with a glassy food surface, and a steel core that rules out the microwave.

Chips reveal the steel underneath, which oxidises but stays usable. Worth knowing that migration from enamelled metal rises sharply with heat and that dark enamels can release transition metals, which is why ISO 4531:2022 now sets test conditions specifically for enamelled food-contact ware.

On the table: Glossy, coloured, dark speckled rims.

Slate, wood and bamboo

Natural serving surfaces rather than plates: slate, hardwood and bamboo boards, sealed with food-grade mineral oil and best kept to dry and cold food.

Stone-trade guidance is to keep slate to dry items, because some varieties absorb moisture and can harbour bacteria in micro-fracture planes; unsealed slate also darkens where a soft cheese has sat. For wood, the USDA asks for separate boards for produce and for raw meat, poultry and seafood, and says to discard boards with grooves too deep to clean.15 Bamboo absorbs less moisture than hardwood but dislikes dishwashers.

On the table: Matte black stone, or warm grain.

The part nobody enjoys

Is your plate safe to eat off?

For plain, commercially made white dishes the answer is yes, and the California health department says so directly: lead is rarely found in plain white dishes.14 The risk lives in a specific, identifiable set of pieces, and it is worth knowing which.

Making them last

Thermal shock, dishwashers and grey marks

Oven to table

Dishes you cook in and serve from

Four oven-to-table dishes side by side on cream linen: a fluted white porcelain ramekin of crème brûlée with a glassy caramel top, a small round cast-iron mini cocotte with its lid beside it full of stew, a shallow oval white gratin dish of golden potato gratin, and a rustic terracotta cazuela of garlic shrimp in olive oil with parsley
Ramekin, cocotte, gratin dish, cazuela. Each shape is a cooking instruction: depth for custard, a lid for steam, width for browning, porous clay for direct heat.
A polished silver dome cloche lifted a few inches above a wide white rimmed plate, revealing seared scallops on a bed of bright green pea purée with micro herbs and a wisp of steam rising
The cloche. French for bell, and a relative of "clock" and "cloak". It keeps the plate hot to the table and turns service into a small reveal.

Ramekin

A small straight-sided glazed dish, usually 4 to 8 oz (120–240 ml) and 3 to 3.75 in across, for baking and serving one portion of anything set or custardy.

The word came from French ramequin and originally named a cheese preparation, not the dish. A shallow crème brûlée dish about 4 ½ to 5 in (11 to 13 cm) across and 1 in (2.5 cm) deep is the crème brûlée default, because the wide surface gives the caramel crust its area; a standard 3 in ramekin works but sets a deeper, slower custard. 6 oz is the usual home soufflé size. Cook one.

Cocotte

Also: mini cocotte.

The French name for a heavy lidded braising pot; in individual sizes, a 8–24 oz cast-iron or stoneware pot that goes from oven to table as one person's portion.

Gratin dish

A shallow oval or rectangular baking dish, wide and low so the maximum surface browns under heat. Its shape is a recipe instruction, not a style choice.

Cazuela

A shallow unglazed or glazed earthenware Spanish cooking dish that goes straight to the table, traditional for gambas al ajillo and baked rice.

Tagine

A North African vessel of a flat rimmed earthenware dish and a tall conical lid, which condenses rising steam back onto the food; the word also names the stew.

Cloche

The bell-shaped dome cover lifted off a plate at the table, from French cloche, a bell; the same word gives the garden cloche and the 1920s hat.

Practically, a cloche keeps a plate hot between the pass and the table and delivers a small piece of theatre when it lifts. It is also the vehicle for smoke service, where the dome traps aromatic smoke that escapes at the table.

Escargot plate

A round metal or porcelain dish with six or twelve dimpled wells that hold snails upright in their garlic butter; the wells double for baked oysters.

Oyster plate

A plate moulded with individual oyster-shaped wells around a central sauce well, most famously the six-well Victorian majolica versions by Minton.

Deviled-egg plate

A plate with moulded oval wells that hold halved eggs steady, a mid-century American form whose popularity peaked in the 1950s.

Sizzle platter

A thin oval metal platter heated to serving temperature so food arrives audibly cooking, carried in an insulated holder.

Divided plate

Also: compartment plate.

A plate with moulded sections that keep foods apart: Korean banchan dishes, cafeteria trays, children's plates and portion-controlled healthcare ware.

Bigger than one person

Platters, boards and stands

Four serving pieces laid out on cream linen: a large oval white porcelain platter holding a whole roast chicken with herbs and charred lemon halves, a rectangular dark slate board with wedges of cheese, grapes and a pot of honey, a round pale wooden board with a part-sliced sourdough loaf and a bread knife, and a white ceramic cake stand holding a frosted layer cake topped with berries
Platter, slate, board, stand. The dividing line from a plate is intent: these present food to a table rather than hold one person's portion.

Platter

An oversized dish, usually oval and 13 in (33 cm) or larger, for food distributed to several people at the table rather than eaten from directly.

Chop plate

Also: round platter.

A large round platter, typically 12–13 in, named for the chops it once carried. Confusingly, some suppliers use the same word for a charger.

Cake stand

Also: footed cake plate.

A round plate raised on a pedestal, about 10–10.5 in, which lifts a cake into its own visual space and makes slicing possible from every side.

Tiered stand

Two or three plates stacked on a central post for afternoon tea, commonly 12/10/8 in or 10/8/6 in, with 10–11 in regarded as the ideal bottom tier.

Board

A flat wooden, slate or marble serving surface with no well at all. The direct descendant of the medieval trencher, and the working surface of every charcuterie board.

The board is where plating becomes table-scale. Our charcuterie board guide covers quantities, arrangement and the safety windows.

Tray

A carrying surface with a raised edge, distinguished from a platter by intent: a tray moves food, a platter presents it.

Beyond the Western setting

Plates around the world

The European place setting is one solution to one problem: a sequence of courses eaten by one person with a knife and fork. Other traditions solved different problems, and their vocabulary is more precise than ours about size. Japanese tableware names plates by measurement in sun units of about 3 cm, so a plate's name tells you how big it is before you see it.

Four Japanese ceramic plates in a row from small to large on cream linen: a tiny indigo-patterned mamezara with pickled cucumber slices, a pale celadon kozara with edamame, a rustic oatmeal chūzara with grilled mackerel and lemon, and a large matte charcoal ōzara with salmon sashimi, daikon and a shiso leaf
Mamezara, kozara, chūzara, ōzara. Bean plate to large plate. One meal often uses several sizes at once, which is why a Japanese table looks busy and a Western one looks empty.

Mamezara

Also: bean plate.

A Japanese plate of roughly 6–10 cm, for a pinch of pickles, a condiment or a single bite; the smallest plate in regular use anywhere.

Kozara

The Japanese small plate, about 12–15 cm, for one person's portion of a side dish.

Chūzara

The Japanese medium plate, about 18–21 cm, the everyday plate for a grilled fish or a main side.

Ōzara

The Japanese large plate, 24–30 cm, used as a Western dinner plate would be or as a sharing platter for sashimi.

Chawan

Also: rice bowl.

The Japanese rice bowl, about 12 cm across and 6 cm tall, sized to hold roughly 150 g of steamed rice and to be lifted in the hand.

Donburi

A deep Japanese bowl about 15 cm across holding around 900 ml, for rice topped with a single dish; the word also names the meal.

Ramen bowl

Also: ramen-bachi.

A wide flared bowl of about 18 cm and 1,400 ml, big enough that noodles, broth and toppings each keep their own territory.

Volume is the whole design brief: a bowl that looks absurdly large empty is the one that lets you lift noodles without flooding the table. Tonkotsu, miso and shoyu all want it.

Geta

Also: sushi geta.

The wooden sushi board raised on two feet, named after the geta sandal it resembles; the height keeps the rice clear of any moisture on the counter.

Bento box

A compartmented Japanese single-serving lunch container, a form dating to the Kamakura period and popularised as a school and office lunch in the Taishō era.

Thali

A round metal platter used across South Asia, holding small bowls of individual dishes around a central mound of rice or bread; also the name of the meal.

Katori

The small metal bowl that sits on a thali to keep each wet dish separate from the rice.

Banchan dishes

The set of small Korean side-dish plates and bowls placed in the middle of the table to be shared through the meal.

Verrine

A small glass in which a starter or dessert is layered and served, so the construction is visible from the side rather than from above.

Amuse-bouche spoon

A flat-based tasting spoon that stands on the table and holds a single bite; the Chinese soup spoon does the same job.

What the evidence says

Does the plate change how food tastes?

Yes, measurably, but not in the tidy way the internet claims. Almost every study here is small, single-food and often from one Oxford lab, so treat the percentages as illustrative rather than as constants.31 Here is what survives scrutiny.

Two identical panna cottas with strawberry sauce photographed side by side from above, one on a white ceramic plate and one on a matte black plate, each with a silver spoon
The same dessert, two plates. Pale food on white was rated sweeter and more intense in the lab; pale food on black gains contrast and drama. Both findings are real, for different foods.
Two plates of the same outer diameter holding an identical portion: on the left a wide-rimmed plate whose inner rim edge sits close to the food, on the right a rimless coupe. The portion reads larger inside the rim.Wide rimportion reads largerCoupe, no rimsame portion reads smallerIdentical portions, identical plate diameterthe Delboeuf illusion: a close ring makes the inner circle look bigger
Why the rim matters. With a wide rim, the same portion was judged about 5% larger in diameter, roughly 10% in area, by 338 people.20
A roasted chicken thigh, ratatouille and couscous filling a standard white plate right to its edge
Same dinner, standard plate. Food to the edge. The cooking is fine; the plate gives it nowhere to breathe.
The same chicken thigh, ratatouille and couscous on a much larger white plate, occupying the centre with a wide empty margin around it
Same dinner, bigger plate. Identical food, a wide margin, and a dish that suddenly looks composed. This is the one plate trick that works every time.
The practical answer

Which plate for which dish

Strip away the vocabulary and the choice comes down to one question: what does this food need from its background? Pale food needs a dark plate to exist at all. Colourful food needs white to stay clean. Rustic food gains from a warm speckled body and loses on bright porcelain. These are the plates in the Plate Artists studio, and the logic behind them is the same logic you should use in your own cupboard.

DishPlateWhy
Risotto, scallops, white fishMatte black or slate coupePale food disappears on white and glows on dark
Tomato pasta, curry, saladWhite coupeThe food already has colour; the plate stays out of it
Steak, roast, anything with jusWide-rimmed whiteThe rim holds the sauce in and frames the portion
Grain bowls, roasted vegetablesSpeckled oatmeal stonewareWarm body for brown food that would look drab on white
Seafood, citrus, saffronNavy or celadonBlue and green sit opposite orange and gold on the wheel
Soup, stew, anything saucyShallow bowl or soup plateDepth to hold liquid, width to keep the garnish visible
Cheese, charcuterie, breadSlate or wooden boardTable-scale food does not want a personal plate
Crème brûlée, soufflé, baked custardRamekin on a small plateThe underplate catches drips and turns a pot into a course

The deeper version of this logic is in our colour guide, and the composition side is in Plating 101. If you want to see it applied dish by dish, how to plate food runs ten everyday dinners before and after.

Buying

Sets, counts and what actually fits

How we got here

A short history of the plate

Before about 1500, the plate was bread. Diners ate off trenchers, thick slabs of days-old loaf, filled from platters in the middle of the table; a 14th-century Parisian household manual specifies trencher bread half a foot wide, four inches high and baked four days before.5 By the end of the 15th century, particularly in northern Europe, trenchers were more often wood or pewter, and wooden trenchers stayed in use into the 19th century alongside pottery plates.5

Then pewter, in enormous quantities. Between 1650 and 1780 British households across the social spectrum replaced wooden trenchers with pewter plates, and the profile changed with fashion: a steep slope and broad rim from around 1640, multiple-reeded rims around 1660, plain rims dominant after about 1730. Pewterers hammered the slope to strengthen the metal, and their word for it, the bouge, is still the most precise name for that part of a plate.

Ceramics arrived from two directions. Tin-glazed earthenware, known as maiolica in Italy, faience in France and delftware in the Netherlands, gave Europe an opaque white surface that imitated Chinese porcelain. The real thing followed in 1710, when Meissen became the first European factory to make true hard-paste porcelain, after Johann Friedrich Böttger's successful firing in 1708. Chinese export plates had already set the template Europe copied: a plain central field for the food, surrounded by a richly decorated rim.

Two English inventions made plates ordinary. Josiah Wedgwood ran close to 5,000 trials on creamware, supplied a tea set to Queen Charlotte in 1765, renamed the ware Queensware the following year and gave the middle classes a cheap, versatile alternative to porcelain.6 Around 1800 Josiah Spode II perfected bone china, mixing calcined ox bone into the body to produce something whiter, stronger and more translucent than anything before it, and still the standard English formula.7

Have dinner plates grown? The famous claim is that they went from 9.6 in to 11.8 in since 1900, a 23% increase. That figure comes from a single count of American dinner plates listed for sale on eBay on one day in 2010, in a paper from the Cornell Food and Brand Lab whose director was later found by his university to have committed academic misconduct; the paper itself has not been retracted, but the provenance is worth stating.32 Other popular numbers trace to a 2004 trade-magazine note or to a study of plate sizes in paintings of the Last Supper. Against them: vintage Fiesta's dinner plate was already 10 in in 1936, and the UK catering trade says 10.5 in has always been the standard. What has certainly grown is restaurant plate diameter, and much of that growth is rim.

See your own dinner on the right plate

Knowing that pale food wants a dark plate is one thing. Seeing your own risotto moved onto matte black, composed the way a chef would compose it, is another. Upload a photo of tonight's dinner, pick a plate from the library above or let the art director choose, and Plate Artists re-plates your dish and tells you why that plate.

Your dish, on a plate that suits it

Snap it, upload it, choose the plate, and get the composed version back with the moves to recreate it for real.

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FAQ

Plates, answered

What are the different types of plates?

A full place setting uses, from largest to smallest: the charger (11–14 in / 28–36 cm), the dinner plate (about 10.5 in / 27 cm), the luncheon plate (9 in / 23 cm), the salad or dessert plate (7–8.5 in / 18–22 cm), the side or bread-and-butter plate (5–7 in / 13–18 cm) and the saucer (about 6 in / 15 cm). Add the soup plate, a rimmed shallow bowl of 9–10 in, and the specialised forms: fish plate, bone dish, appetiser plate, pasta plate, escargot and oyster plates. Beyond the place setting sit the serving pieces (platters, chop plates, cake stands, boards) and the bake-and-serve dishes (ramekins, cocottes, gratin dishes, cazuelas).

What is a charger plate?

A charger is a large decorative plate, usually 13 inches (33 cm), laid on the table before guests sit down. It works as an underplate: each course arrives on its own plate set on top of it, and it is cleared before the main course or exchanged for the entrée plate. The name comes from Middle English chargeour, from Latin carricare, to load, because it once carried a whole roast to the table.

Do you eat off a charger plate?

No. Food is never placed directly on a service plate in formal etiquette, and many decorative chargers in metal, glass, acrylic or painted finishes are not made from food-safe materials. If your charger is a plain glazed porcelain plate from a dinnerware line, it is simply a large plate and you can use it as one.

What size is a standard dinner plate?

About 10.5 inches or 27 centimetres. Sources vary between 10 and 12 inches, and restaurants often use 11 or 12 inch plates, but those usually carry a wider rim around a well of the same size, so the eating surface has not grown as much as the diameter suggests. Above 11 inches, plates start to be hard to fit in domestic dishwasher racks.

What is the difference between a rimmed plate and a coupe plate?

A rimmed plate has a flat border clearly separated from the well, the traditional European profile that frames the food and catches juices. A coupe plate has no distinct rim: the surface flows from the centre to a gently upturned edge, so the whole disc is the plating surface. Coupe reads more modern and quieter; rim reads more formal and makes the same portion look larger.

What is a ramekin?

A ramekin is a small straight-sided glazed dish, usually 4 to 8 ounces (120–240 ml) and 3 to 3.75 inches across, used to bake and serve an individual portion of crème brûlée, soufflé, custard, flan or a small gratin. The word comes from the French ramequin and originally named a baked cheese preparation rather than the dish it was cooked in.

What size ramekin do I need for crème brûlée?

A shallow crème brûlée dish about 4 ½ to 5 inches (11 to 13 cm) across and 1 inch (2.5 cm) deep is the classic choice, because a wide shallow custard gives the most caramel surface per spoonful and bakes evenly in the water bath. A standard 3-inch (7.6 cm), 4-ounce (120 ml) ramekin works too, but the deeper custard takes longer to set. A 6-ounce ramekin is the standard size for a soufflé, where height matters more than surface.

What is a cloche?

A cloche is the bell-shaped dome cover lifted off a plate at the table. The word is French for bell, from Medieval Latin clocca, and is a doublet of clock and cloak, which is why the garden cloche and the 1920s hat share the name. In service it keeps a plate hot between the kitchen and the table, and it is the standard vehicle for smoke service.

What is the difference between a plate and a platter?

Intent and size. A plate holds one person's food; a platter is an oversized dish, usually oval and 13 inches (33 cm) or larger, from which food is distributed to several people. Pewter collectors still use a size rule: under 7 inches is a saucer, 7 to 11 inches a plate, 11 to 18 inches a dish, and anything larger a charger.

What is the difference between porcelain and bone china?

Bone china is a porcelain with calcined bone ash added, at least 25% by the ASTM definition and at least 30% by UK industry practice. The bone ash makes it warmer and creamier in colour, more translucent, lighter and thinner than hard-paste porcelain, and it rings when tapped. Hard porcelain is fired hotter, is brighter and slightly cooler in tone, costs less, and chips a little more readily.

Is stoneware or porcelain better for plates?

Neither is better; they do different jobs. Porcelain is whiter, thinner, lighter and closer to non-porous, which makes it the neutral canvas most restaurants use for main courses. Stoneware is heavier, opaque, warmer in tone and suits speckled and reactive glazes, which makes it a design statement rather than a frame. A common professional answer is white porcelain for mains and stoneware for starters, sharing plates and desserts.

How do I know if a plate has lead in it?

Plain white commercially made dishes are very unlikely to be a problem; lead is rarely found in them. The risk list is traditional glazed terracotta, brightly decorated imported or hand-made ware, orange, red and yellow decoration, decoration on the rim or the food surface that you can feel, antiques made before lead in tableware was regulated, and any piece with a corroded, dusty or chalky glaze. Swab kits give a useful positive but an unreliable negative, since they cannot see lead below the surface. Anything marked 'Not for Food Use' should never hold food.

Can you put a plate in the oven?

Only if the base says so, and never straight from the fridge or freezer into a hot oven. Ratings vary hugely by material: many stoneware ranges go to 260 °C, laminated glass such as Corelle only to 176 °C and only in a preheated oven, some fine bone china not at all, and melamine never. Warming empty plates is gentler than baking in them, and even then a manufacturer may cap it: Wedgwood says 65 °C is safe for warming its tableware.

Do smaller plates make you eat less?

Probably not, on the evidence. Three crossover experiments at Penn State found no effect on energy intake, and the only pre-registered general-population trial found a difference of 19 kcal with a confidence interval spanning zero. A meta-analysis of dishware experiments pooled to a marginal effect whose interval touched zero. Where plate size does bite is self-service: people serve themselves more onto a larger plate, especially when they do not know they are being watched.

What plate colour is best for food?

White is the safe default and the one most restaurants use, and a pale dessert on a white plate was rated sweeter and more intense than the same dessert on black. But the effect follows the food: in a 253-diner restaurant test, a pink fraisier scored far better on white while a brown raspberry dessert was liked more on black. The practical rule is contrast with the food, not with the tablecloth: pale food glows on dark plates, colourful food sings on white.

How many plates do I need?

Common guidance is eight to twelve place settings for a household of three to six people, or about two dinner plates per person, rising to one and a half to two plates per guest if you host multi-course meals. A five-piece formal setting is a dinner plate, salad plate, bread-and-butter plate, cup and saucer; a four-piece casual setting is a dinner plate, salad plate, bowl and mug. That is why sets are sold as 16 pieces (four settings of four) or 20 pieces (four of five).

Sources

The standards and research behind this guide

Seventeen peer-reviewed studies verified through Crossref and PubMed, plus the international standards, food-safety regulations, museum records and etiquette references that define the terms. Sizes come from manufacturers' and restaurant suppliers' own specifications; where they disagree, the range is given rather than a single number.

  1. International Organization for Standardization (2024). ISO 5644:2024 — Porcelain tableware: specification and test method. ISO, Geneva, defines porcelain, bone china and vitreous china by firing range, water absorption and translucency. iso.org
  2. ASTM International (2021). ASTM C242-21 — Standard terminology of ceramic whitewares and related products. ASTM International, West Conshohocken, the definitions of bone china, vitreous, semivitreous and nonvitreous bodies. astm.org
  3. ASTM International (2018). ASTM C373-18 — Standard test methods for determination of water absorption, bulk density, apparent porosity and apparent specific gravity of fired whiteware products. ASTM International, West Conshohocken, the boil method behind every absorption figure quoted here. astm.org
  4. Emily Post Institute (2026). The formal place setting. emilypost.com, the charger as underplate, and when it leaves the table. emilypost.com
  5. Victoria and Albert Museum (2026). Trencher (museum no. W.32-1913), with the c. 1393 Ménagier de Paris description of trencher bread. V&A Collections, London, bread trenchers before 1500; wood and pewter after. vam.ac.uk
  6. Victoria and Albert Museum (2026). Wedgwood: an introduction — creamware, the 5,000 trials and Queensware. V&A, London, 1759 founding; 1765 tea set for Queen Charlotte; 1766 Queensware. vam.ac.uk
  7. Spode Museum Trust (2026). The first Spode period, 1776–1833: the introduction of bone china. spodemuseumtrust.org, Spode I's 1796 'Stoke China', renamed bone china; perfected by Spode II after 1797. spodemuseumtrust.org
  8. US Food and Drug Administration (2005). Compliance Policy Guide Sec. 545.450 — Pottery (ceramics); import and domestic: lead contamination. FDA, Silver Spring, action levels of 3.0 µg/mL lead for flatware, 0.5 for cups and mugs. fda.gov
  9. US Food and Drug Administration (2026). Questions and answers on lead-glazed traditional pottery. FDA, Silver Spring, which pottery is most likely to leach, and what a swab kit can and cannot tell you. fda.gov
  10. US Food and Drug Administration (1994). 21 CFR 109.16 — Ornamental and decorative ceramicware: labelling requirements. Code of Federal Regulations, the wording and lettering size of the 'Not for Food Use' statement. ecfr.gov
  11. Council of the European Communities (1984). Directive 84/500/EEC on the approximation of the laws of the Member States relating to ceramic articles intended to come into contact with foodstuffs (consolidated 2005). Official Journal of the European Communities, Category 1 limits for flat articles: 0.8 mg/dm² lead, 0.07 mg/dm² cadmium. eur-lex.europa.eu
  12. US Food and Drug Administration (2026). Melamine tableware: questions and answers. FDA, Silver Spring, migration measured only into acidic food held at 160 °F; never heat food on melamine in a microwave. fda.gov
  13. Bundesinstitut für Risikobewertung (BfR) (2011). Release of melamine and formaldehyde from dishes and kitchen utensils. BfR Opinion No. 012/2011, Berlin, melamine resin ware is for food up to about 70 °C, not for cooking or microwaving. bfr.bund.de
  14. California Department of Public Health (2026). Questions and answers: lead in tableware. CDPH Childhood Lead Poisoning Prevention Branch, the Proposition 65 warning thresholds, the risk list, and the note that lead is rarely found in plain white dishes. cdph.ca.gov
  15. US Department of Agriculture, Food Safety and Inspection Service (2026). Cooking with microwave ovens, and Cutting boards. USDA FSIS, Washington DC, metallic trim arcs in a microwave; wood and bamboo board handling. fsis.usda.gov
  16. Piqueras-Fiszman, B., Alcaide, J., Roura, E., & Spence, C. (2012). Is it the plate or is it the food? Assessing the influence of the color (black or white) and shape of the plate on the perception of the food placed on it. Food Quality and Preference, 24(1), 205–208. doi:10.1016/j.foodqual.2011.08.011
  17. Piqueras-Fiszman, B., Giboreau, A., & Spence, C. (2013). Assessing the influence of the color of the plate on the perception of a complex food in a restaurant setting. Flavour, 2, 24 — 253 paying diners at the Institut Paul Bocuse, Lyon. doi:10.1186/2044-7248-2-24
  18. Stewart, P. C., & Goss, E. (2013). Plate shape and colour interact to influence taste and quality judgments. Flavour, 2, 27 — n = 48, twelve per cell. doi:10.1186/2044-7248-2-27
  19. Harrar, V., Piqueras-Fiszman, B., & Spence, C. (2011). There's more to taste in a coloured bowl. Perception, 40(7), 880–882. doi:10.1068/p7040
  20. McClain, A. D., van den Bos, W., Matheson, D., Desai, M., McClure, S. M., & Robinson, T. N. (2014). Visual illusions and plate design: the effects of plate rim widths and rim coloring on perceived food portion size. International Journal of Obesity, 38(5), 657–662 — n = 338 and n = 251. doi:10.1038/ijo.2013.169
  21. Piqueras-Fiszman, B., Harrar, V., Alcaide, J., & Spence, C. (2011). Does the weight of the dish influence our perception of food? Food Quality and Preference, 22(8), 753–756. doi:10.1016/j.foodqual.2011.05.009
  22. Piqueras-Fiszman, B., & Spence, C. (2012). The weight of the container influences expected satiety, perceived density, and subsequent expected fullness. Appetite, 58(2), 559–562 — n = 45. doi:10.1016/j.appet.2011.12.021
  23. Rolls, B. J., Roe, L. S., Halverson, K. H., & Meengs, J. S. (2007). Using a smaller plate did not reduce energy intake at meals. Appetite, 49(3), 652–660 — three crossover experiments, n = 45, 30 and 44. doi:10.1016/j.appet.2007.04.005
  24. Kosīte, D., König, L. M., De-loyde, K., Lee, I., Pechey, E., Clarke, N., Maynard, O., Morris, R. W., Munafò, M. R., Marteau, T. M., Fletcher, P. C., & Hollands, G. J. (2019). Plate size and food consumption: a pre-registered experimental study in a general population sample. International Journal of Behavioral Nutrition and Physical Activity, 16, 75 — n = 134, d = 0.07 (95% CI −0.27 to 0.41). doi:10.1186/s12966-019-0826-1
  25. Robinson, E., Nolan, S., Tudur-Smith, C., Boyland, E. J., Harrold, J. A., Hardman, C. A., & Halford, J. C. G. (2014). Will smaller plates lead to smaller waists? A systematic review and meta-analysis of the effect that experimental manipulation of dishware size has on energy consumption. Obesity Reviews, 15(10), 812–821 — pooled SMD −0.18 (95% CI −0.35 to 0.00). doi:10.1111/obr.12200
  26. Hollands, G. J., Shemilt, I., Marteau, T. M., Jebb, S. A., Lewis, H. B., Wei, Y., Higgins, J. P. T., & Ogilvie, D. (2015). Portion, package or tableware size for changing selection and consumption of food, alcohol and tobacco. Cochrane Database of Systematic Reviews, 2015(9), CD011045 — 72 randomised trials. doi:10.1002/14651858.CD011045.pub2
  27. Akyol, A., Ayaz, A., Inan-Eroglu, E., Cetin, C., & Samur, G. (2018). Impact of three different plate colours on short-term satiety and energy intake: a randomized controlled trial. Nutrition Journal, 17, 46 — n = 54; red and black plates raised intake against white. doi:10.1186/s12937-018-0350-1
  28. Steele, K. M., & Rash, L. L. (2021). Is the suppression effect of the color red on snack food consumption reliable? Experimental Psychology, 68(4), 214–220 — the replication that reversed the effect. doi:10.1027/1618-3169/a000524
  29. Genschow, O., Reutner, L., & Wänke, M. (2012). The color red reduces snack food and soft drink intake. Appetite, 58(2), 699–702 — the original red-plate claim, now contradicted. doi:10.1016/j.appet.2011.12.023
  30. Spence, C. (2018). Background colour and its impact on food perception and behaviour. Food Quality and Preference, 68, 156–166. doi:10.1016/j.foodqual.2018.02.012
  31. Spence, C., Piqueras-Fiszman, B., Michel, C., & Deroy, O. (2014). Plating manifesto (II): the art and science of plating. Flavour, 3, 4. doi:10.1186/2044-7248-3-4
  32. Van Ittersum, K., & Wansink, B. (2012). Plate size and color suggestibility: the Delboeuf illusion's bias on serving and eating behavior. Journal of Consumer Research, 39(2), 215–228 — not retracted, but a Cornell Food and Brand Lab paper; read alongside sources 20, 24 and 25. doi:10.1086/662615

Keep going

How to set a table

Where every plate, fork and glass goes, basic to formal, and the reason behind each rule.

How to fold napkins

Eighteen folds for the plate and the charger, drawn step by step, and where the napkin goes.

Plate colour pairing tool

Free, and it works both ways: what to serve a dish on, or what a plate you already own actually flatters.

Color on the plate

The food colour wheel, the 60-30-10 rule, and choosing the plate as a painter chooses a frame.

Plating techniques & styles

Eight named styles on one dinner, the sauce and shaping moves, and the parts of a plate in a labelled diagram.

How to plate food, dish by dish

Pasta, steak, salmon and seven more everyday dinners, each shown before and after re-plating.

The five French mother sauces

Béchamel to hollandaise: how each is thickened, its daughters, and where the sauce goes on the plate.

What is an amuse-bouche?

The free first bite: the word, its history, how it differs from canapés and appetizers, and twelve ideas to make at home.

Prix fixe, à la carte and tasting menus

Every menu term explained, and how to run a tasting menu at home, with the plate for each course.